Stanton DJ Equipment RM 80 User Manual

FADER CLEANING  
The RM-80 faders may need lubrication from time to time. This will extend the  
fader life and eliminate any potential damage due to extended heavy usage.  
R M -8 0 Professional performance mixer  
Cleaning Instructions  
1. Remove the fader and disconnect the cable coming from the mixer. To remove  
the crossfader, unsecrew the outer screws (removing the 2 inner screws will  
detach the fader from the fader plate). To remove the line faders, remove all 4  
screws.  
2. Spray a small amount of cleaner or lubricant into both ends of the fader and  
slide the fader back and forth a few times to spread the fluid evenly throughout  
the fader.  
3. Shake and wipe off excess fluid before re-assembling the fader.  
FADER REPL ACEMENT  
To replace the cross or channel faders, follow step 1 of the cleaning instructions.  
Replacement parts are available from Stanton or your local Stanton dealer.  
CF-RM19  
Crossfader  
LF-RM80  
Line input fader  
RF-RM80  
Line input rotary (dial) fader  
US Power Supply (110v)  
European Power Supply (220v)  
UK only Power Supply (240v)  
PS-RM19US  
PS-RM19EU  
PS-RM19UK  
O W N E R ’S M A N U A L  
S TANTON M AGNETICS , LLC  
info@stantonmagnetics.com  
© 2001, Stanton Magnetics, LLC  
 
DESCRIPTION OF FUNCTIONS  
9. Headphone output: Connection for 1/4 inch headphone. Recommended headphone  
impedance is 32-200 ohms for maximum volume.  
10. Cue pan: Fades the headphone output between the channel(s) selected by the cue  
assign switches (15) and the master one output, effectively allowing the user to pre-  
view a mix.  
11. Crossfader source selectors: When set to A, the selecte channel will be assigned to  
the left side of the crossfader. when set to B, the selected channel will be assigned to  
the right side of the crossfader. When set to BYPASS, the crossfder will be bypassed  
alltoghter.  
12. Crossfader: Fades the master output between the channels selected by the  
Crossfader source selectors (13).  
13. Beat indicators: Illuminate according to the beat of the program music. The replace-  
ment of illumination varies depending on the style of music selected. This features  
offers a helpful visual indicator of beat alignment.  
14. Channel fader: Controls the input channel level.  
15. Cue assign switch: Selects the channel to be monitored.  
16. Fader Start: Turns the fader start function ON or OFF. The fader start will work with CD  
players (such as Stanton’s S-Series) to start the audio from teh CD player’s cue point.  
17. Talkover attenuation control: Sets the amount of attenuation applied to the music  
output signal when switch (20) is applied and the mic is spoken into. The attenuation  
is adjustable from zero to twenty six decibels.  
18. Mic selector: Turns the mic on or off and activates the automatic talkover circuit.  
When activated, the automatic talkover circuit reduces the music output based on the  
setting of the talkover attenuation control (19).  
19. Equalizer: Individual controls for low frequency, midrange, and high frequency  
equalization with (+10/-10 dB) Note: Any changes made to EQ settings will change the  
overall output level.  
1. Power switch: Selects power "ON" or "OFF".  
2. BNC jack: 12V gooseneck light input  
20. Microphone volume: Controls the output levels of mics 1 and 2  
3. Mono/stereo switch: Controls mono/stereo signal output of Master 1  
4. Master balance control: Controls left/right signal balance of the master output.  
5. Master level control: Controls the overall signal output level of the master output.  
21. Input channel controls: Controls the input sensitivity of each channel and Hi, Mid, and  
Low frequency equalization (+9/-26dB) of each channel.  
22. Microphone 1 input: Combo XLR / 1/4” connector  
6. Cue stereo/split switch: In "stereo" position, the pre-selected signal of switches (15)  
and controls (9) and (10) will be monitored as a stereo signal in the headphones. In  
"split" position, the pre-selected signal of switches (13) and controls (23) and (24)  
will be monitored on one side of the headphones, and the master 1 output signal on  
the other side.  
23. Input selector switches: Selects phono or line input.  
24. Output Level meter: Displays the overall signal level of the master output.  
25. Input Level meter: Displays the input level. The input level is determined by the input  
channel controls (21).  
7. Booth level control: Controls the signal level of the booth output.  
26. Audio signal inputs: Line inputs are used to connect to line level sources such as CD  
players, samplers, tape players, etc. Phono inputs are used to connect to turntables.  
Mic inputs connect directly to microphones. To prevent potential circuit damage, never  
connect line level source to phono inputs.  
8. Headphone level control: Controls the overall headphone output level. It is recom-  
mended headphones with an impedance rating of 200 ohms or less be used for maxi-  
mum volume.  
 
TECHNIC AL SPECIFIC ATIONS  
Line inputs:  
Phono inputs:  
DJ mic input:  
Master output:  
Record output:  
Headphone output:  
Frequency Response:  
Tone Control :  
Mic Tone:  
8 (RCA), 150 mV / 27K ohm  
4 (RCA), 3 mV / 47K ohm  
3 (XLR, 1/4“), 2.45 mV / 3K ohm  
1 (RCA), 1.2 V / 1K ohm  
1 (RCA), 245 mV / 10K ohm  
1 (1/4”), 32 - 200 ohms recommended  
20 Hz - 20 kHz, +/- 2 dB  
+ 9/-26 dB (Hi, Mid, Low)  
Hi/Mid/Lo +/-10 dB  
Gain Control:  
S/N Ratio:  
0-20dB  
Less than 70dB  
T.H.D:  
less than 0.2%  
Dimension(LxWxD):  
19” x 8.75” x 4” (482 x 222 x 102 mm)  
27. Fader Start connector: Connects to the sound module’s remote start output (such as  
Stanton’s S-Series CD players) to control the cue-start via the mixer’s crossfader.  
WARRANT Y  
28. Audio signal outputs: Master output connects to an amplifier, EQ, crossover, or other  
outboard signal processing. Record out connects to tape recorder, mini disk recorder,  
etc. Booth output is a second master output used mostly for in-booth monitoring.  
This unit has been designed and manufactured using quality  
components. Therefore, it is warranted to be free from defects in materi-  
als (limited as specified below), and workmanship for a period of twelve  
(12) months from the original purchase date. During this period, all  
service and parts necessary to repair a defect will be free of charge. This  
limited warranty applies to mechanical parts which are subject to wear  
and tear as specified:  
29. AC cord connector: Input connection for the supplied removable AC cord.  
• Faders, specified durability: 15,000 cycles  
• Rotary potentiometers, specified durability: 10,000 cycles  
• Switches, specified durability: 10,000 cycles  
Consequently, the parts listed above are warranted to be free from  
defects in materials and workmanship for a period of thirty days (30)  
days from the original purchase date.  
FOR THE WARRANTY TO BE VALID, PLEASE COMPLETE THE  
ONLINE WARRANTY REGISTRATION FORM FOUND AT  
WWW.STANTONMAGNETICS.COM  
Stanton Magnetics, LLC,  
Hollywood, FL 33020  
 

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